I’m going to teach you how to make this, which is a slightly altered version of a panel from my most recent graphic:
So I started making these graphics a while ago, and although a few people have asked me how I make them, I’ve only ever given really simple instructions so this is going to be a more detailed walk-through on how I make these graphics. Basically, I’m obsessed with them, I’ve made several variations (x, x, x, x) so there isn’t just one way or a correct way to make them.
Despite the fact that I am not deaf, mute, or blind myself, one of the most common questions I receive is how to portray characters with these disabilities in fiction.
As such, I’ve compiled the resources I’ve accumulated (from real life deaf, mute, or blind people) into a handy masterlist.
The program used in this example is Firealpaca, but as far as I know these type of settings exist in most basic art programs (firealpaca is like the most basic of all anyway lmao). I dont own a scanner so a lot of the time I simply take a photo of the drawing with my phone, cleaning and extracting the lines still only takes a few minutes! Hope this is helpful :)
>First, we’ve discovered that about a quarter of all the internet connection in or out of the house were ad related. In a few hours, that’s about 10,000 out of 40,000 processed.
>We also discovered that every link on Twitter was blocked. This was solved by whitelisting the https://t.co domain.
>Once out browsing the Web, everything is loading pretty much instantly. It turns out most of that Page Loading malarkey we’ve been accustomed to is related to sites running auctions to sell Ad space to show you before the page loads. All gone now.
>We then found that the Samsung TV (which I really like) is very fond of yapping all about itself to Samsung HQ. All stopped now. No sign of any breakages in its function, so I’m happy enough with that.
>The primary source of distress came from the habitual Lemmings player in the house, who found they could no longer watch ads to build up their in-app gold. A workaround is being considered for this.
>The next ambition is to advance the Ad blocking so that it seamlessly removed YouTube Ads. This is the subject of ongoing research, and tinkering continues. All in all, a very successful experiment.
>Certainly this exceeds my equivalent childhood project of disassembling and assembling our rotary dial telephone. A project whose only utility was finding out how to make the phone ring when nobody was calling.
ALT
>Update: All4 on the telly appears not to have any ads any more. Goodbye Arnold Clarke!
ALT
>Lemmings problem now solved.
>Can confirm, after small tests, that RTÉ Player ads are now gone and the player on the phone is now just delivering swift, ad free streams at first click.
>Some queries along the lines of “Are you not stealing the internet?” Firstly, this is my network, so I may set it up as I please (or, you know, my son can do it and I can give him a stupid thumbs up in response). But there is a wider question, based on the ads=internet model.
>I’m afraid I passed the You Wouldn’t Download A Car point back when I first installed ad-blocking plug-ins on a browser. But consider my chatty TV. Individual consumer choice is not the method of addressing pervasive commercial surveillance.
>Should I feel morally obliged not to mute the TV when the ads come on? No, this is a standing tension- a clash of interests. But I think my interest in my family not being under intrusive or covert surveillance at home is superior to the ad company’s wish to profile them.
ALT
ALT
>Aside: 24 hours of Pi Hole stats suggests that Samsung TVs are very chatty. 14,170 chats a day.
>YouTube blocking seems difficult, as the ads usually come from the same domain as the videos. Haven’t tried it, but all of the content can also be delivered from a no-cookies version of the YouTube domain, which doesn’t have the ads. I have asked my son to poke at that idea.
a quick word about the writers guild strike, for those of you who currently AREN’T guild members but would like to be one day: the WGA has always strongly enforced its right to ban from future membership any non-member who crosses the picket line and engages in scab writing, aka writing for any of the struck companies during the WGA strike.
so if you’re seeing job openings for screenwriters at places like netflix, amazon, paramount, etc and you’re thinking “hey, maybe i’ll apply and get my foot in the door,” just know that you WILL be scabbing and you WILL be barred from ever obtaining WGA membership. permanently.
[ID: Rules pertaining to non-members: The Guild does not have the authority to discipline non-members for strikebreaking or scab writing. However, the Guild can and will bar that writer from future Guild membership. This policy has been strictly enforced in the past and has resulted in convincing many would be strikebreakers to refrain from harming the Guild and its members during a strike. Therefore, it is important for members to report to the Guild the name of any non-member whom you believe has performed writing services for a struck company and as much information as possible about the non-member’s services. End ID]
The specific passage referencing this, from the strike rules.
Commenting fanfiction is the easiest thing in the world once you start doing it.
I leave a comment on every single fic I read. Sometimes when I read published books I go and leave a comment somewhere the author can find it. Granted, I literally majored in ‘leaving comments on fics’ (English Education), but once you start doing it it just becomes second nature. Now you’re gonna go to the Ozymandias school of leaving comments:
Problem: I can’t leave kudos again.
Beginner: This is a second/third/fourth Kudos
Advanced: This is my second/third/fortieth time reading this, I still love it so much. Here are a few new things I noticed. I like the way you personally do x, y, z compared to other authors I’ve read (in this ship/genre/fandom).
Problem: I don’t know what to say :(
Beginner: Just list what you did to read this fic. “I stayed up late reading this”, “I read this on a crowded train”, “this kept me company while sick”.
Advanced: X,Y,Z parts made me get butterflies, and I had a physical reaction to this part of the story, I squealed outloud when characters did x,y,z. I blushed at this part. I laughed out loud here. Whatever.
Problem: I’m embarrassed to leave a comment (what if I annoy the author?)
Beginner: Short answer: you won’t EVER annoy the author (unless you’re needlessly mean) But to start, be generic, you don’t have to spill your soul in the comments section. “I liked this” “I enjoyed reading this” “nice fic”.
Advanced: This really meant a lot to me that you wrote this. This is something I feel like I’ve always wanted to read. This fic hit me in all the right places. Etc.
Problem: I don’t know how to express myself/my experience
Beginner: My beginners go to is to highlight a line, put that in your comment and say “i liked this” or to identify basic emotions you had while reading and comment those “this made me happy” “this part made me sad” “i almost cried” “you made me laugh” Advanced: “Highlighted line” This line made me smile because it has to do with character development/it’s really romantic/it’s so unique/it’s moving. Sometimes I don’t highlight a line at all, I just talk about the stuff I’ve noticed were unique to the fic. “I love the way you did this particular thing with this character”.
This? This is an amazing post. This is the Captain Awkward of commenting posts—it addresses all your fears directly and gives you actionable scripts for each one.
one word is fine, ie when the Plot Thickens, say so, when they’re in danger at the end of the chapter, YIKES! when they are safe again, WHEW!